Showing posts with label Saint Juan Diego. Show all posts
Showing posts with label Saint Juan Diego. Show all posts

Wednesday, June 6, 2018

Our Lady of Guadalupe - Scientific Documentaries & More

2018 United Kingdom National Pilgrimage Tour Itinerary

 http://www.relicourladyofguadalupe.co.uk

The purpose of the distribution of these Sacred Images is to help fulfil the prophecy of Saint John Paul II when visiting Guadalupe in 1979.

His exhortation proclaimed: “The Basilica of Our Lady of Guadalupe will be the center from which the light of the gospel of Christ will illuminate the entire world by the means of distribution of the Miraculous Image of His mother.”

Saint John Paul II authorized the creation of 220 digital replicas of the original for worldwide distribution. These Images have been declared as Authorized Relics that will extend the graces of evangelization, conversion & truth to nations in which they're placed, offering the same graces as extended in 1531, equal in graces to that of the original first class Relic

 



 


 

 

 

  

 

 

 

 


 


 

 


Signs & Symbols


SYMBOLS ON THE SACRED TILMA & THEIR SIGNIFICANCE IN AZTEC THOUGHT

RaysofsunSUN’S RAYS
The rays give the sacred image an aura of light. They appear as though they're emitted from her, based on the direction of the arrows & the wavy pattern – indicating that she’s giving birth to the sun. Since the Aztecs worshipped the sun as the god that gives them life, the image portrays the Virgin Mary as giving birth to god. 

This is further reinforced by the 4-petalled flower on Our Lady’s womb as described below. The Aztecs called their sun god Huitzilopochtli (their god of war, too) & to appease him, they offered palpitating human hearts which they considered to be a symbol of life. They also believed in Ometéotl, a god with 2 natures.

4petalFOUR-PETALLED FLOWER
The Aztecs closely observed the movement of the sun, moon, & stars, & based their religious beliefs & way of life on these. They were deep into cosmogony – that branch of science dealing with the origin of the universe, particularly the solar system.

The 4-petalled flower is the only flower of its kind found on Our Lady’s robe. It is considered to be one of the highest symbols of the Aztecs as it depicts the 4 movements of the sun (the 4 seasons) as well as the North, South, East & West united in the center by a 5th element giving it balance & equilibrium. 

The 4 petals also signify the 4 past eras with its center signifying the birth of the Fifth Sun which coincided with the Winter Solstice of 1531 – Our Lady’s miracle of 12 December.

The location of the 4 petalled flower is known to the Aztecs as Nahui Ollin representing the motherhood of Our Lady. With its strategic location, Our Lady’s Image tells the Aztecs she is the Mother of the ‘sun god’ that’s in her womb – the author & giver of life.

OurLadyofGuadalupefaceHER FACE
Our Blessed Mother’s face is bowed down, looking at everyone tenderly & with compassion. She is gazing slightly to one side as a sign of reverence & respect as native Indians considered it improper to look directly at anyone’s face.

The face of Our Lady is that of a young girl who is considered mestizo, meaning a blend of races – in this case, Aztec & Spanish. This was the term used by the Spaniards to identify the children of Spanish conquistadores & Aztec women. The portrayal of the Blessed Virgin Mary on her Image as mestizo symbolized the birth of a new race.

eyewithreflectHER EYES
Looking closely into Our Lady’s eyes, ophthalmologists have tested this sacred image & affirmed that there are human forms reflected in her eyes, which measure between 8-9mm. It would be impossible to paint this detail within such a tiny space & on such rough material. 

Further examination by a Dr Jose Aste Tonsman revealed 13 persons reflected in her eyes. Magnified photos show the larger images as reflections of Juan Diego & Bishop Juan de Zumarraga. The rest could be images of those present when Juan Diego opened his tilma to show the Bishop the sign he had asked for.


ourladyhairHER HAIR
On the Sacred Image, our Blessed Mother’s hair is loose, indicating she’s a virgin maiden – married indigenous women braided their hair.

Our Lady transapent
BLACK RIBBON
This signifies that she is a noblewoman with child – noble indigenous women tied a black ribbon just above their waist to show they were pregnant. This symbol, together with the symbolism of Our Lady’s hair, confirms her message to St Juan Diego – ‘I am the Always Holy Virgin Mary, Mother of the true God.’

HER HANDS
Her hands are joined together in prayer, just as Europeans do, confirming her request that the Bishop build a chapel (a house of prayer) on Tepeyac Hill where she appeared. The Blessed Virgin’s hands show her right hand as being more delicate & lighter in colour than the left which is fuller & darker – depicting her message for unity of the Indian & Spanish cultures and the birth of a new race.

HER MANTLE
Her beautiful turquoise mantle covers her whole body from her head down to her feet & is edged in gold. The indigenous people considered her an Empress since only their Emperor wore this color. Her mantle is covered with 46 eight-pointed stars which are believed to be the stars that were in the heavens during the winter solstice of 1531.

Video about the miraculous image of Our Lady of Guadalupe:


Another video (awesome): (re-enacted) Our Lady Of Guadalupe:


And another (short):

 

Scientific documentary on it (in English):

 
Documentary on it (in Spanish):

https://www.youtube.com/watch?v=Q7Wcl7xY5fA

Sunday, November 23, 2014

FREE Objects of Devotion Conference - Riverside, California

Objects of Devotion / Objetos de Devoción Conference

Friday, December 12, 2014 at 2:00 PM through Saturday, December 13, 2014 at 8:00 PM (PST)

General Admission to all conference paper sessions is FREE!!!

However you must register.

Riverside, California

 

 Register here:

http://ideasandsociety.ucr.edu/conferences/objects-of-devotion-conference 

December 12-13, 2014         Culver Center of the Arts, Riverside, California

This multidisciplinary conference engages historic and contemporary Latin American and Latino visual, material, and ritual cultural practice. Over thirty papers from national and international scholars and artists will address many dimensions of religious materiality in the Latin American and Latino context: relics, devotional practice, borderlands religiosities, pilgrimage and iconography, visual and votive culture, agentive objects, contemporary engagements with the Virgin of Guadalupe, transgressive saints, colonial material cultures, and sacred objects and materials of the pre-Hispanic period. Plenary sessions will include conversations with the artist and national/international scholars. One conference session will be held in Spanish for the larger public.

The conference coincides with an exhibit of the work of Mexican-British artist, Alinka Echeverría, at the California Museum of Photography (November 1, 2014–January 24, 2015). Echeverría’s photographs explore the relationship of visual, religious, and material culture in Mexico, considering in particular the power of the Guadalupe icon.

Organized by Jennifer Nájera (Ethnic Studies, UCR) and Jennifer Scheper Hughes (History, UCR).

Conference Program (click to download)

Dec 11 – Thursday – Pre-Conference Events
4:00 pm UCR Campus Luis Leon: “The Political Spirituality of Cesar Chavez
7:00-9:00 pm “The Have-Little” by Migdalia Cruz (Teatro Latino Staged Reading, Culver Center of the Arts)
 With Professor Tiffany A. López, Tomás Rivera Chair.
Dec 12 – Friday
CMP MUSEUM exhibition open (10am-7pm)
2:30 pm Conference check in and registration, Culver Center of the Arts
3:30-5:30 pm Opening Plenary: The Road to Tepeyac (Hammond Dance Studio)
5:30-7 pm Artists’ Reception
Film Discussion and Q&A: Annie O’Neil and Conrad Rudolph (Department of Art History, UCR)
(advance registration for complimentary tickets recommended)
7-8:30 pm Alinka Echeverria
Artist’s talk (Spanish language session)
Dec 13 – Saturday
8:00 am Continental Breakfast, Culver Center of the Arts
9:00-10:45 am Morning Plenary: Materiality Religion and the Power of Things (Atrium)
11:00-12:30 am Morning Sessions
12:30-2:00 pm Lunch break (on your own)
2:00-3:45 pm Afternoon Plenary:  Vision of the Virgin in Southern California (Atrium)
3:00 pm Matinee Film Screening: Walking the Camino: Six Ways to Santiago
4:00-5:30 pm Afternoon Session
5:30-7:00 pm Closing reception


OH THIS IS AMAZING I WISH I COULD ATTEND!

This multidisciplinary conference engages historic and contemporary Latin American and Latino visual, material, and ritual cultural practice. Over thirty papers from national and international scholars and artists will address many dimensions of religious materiality in the Latin American and Latino context: relics, devotional practice, borderlands religiosities, pilgrimage and iconography, visual and votive culture, agentive objects, contemporary engagements with the Virgin of Guadalupe, transgressive saints, colonial material cultures, and sacred objects and materials of the pre-Hispanic period.
The conference coincides with an exhibit of the work of Mexican-British artist, Alinka Echeverría, at the California Museum of Photography (November 1, 2014–January 24, 2015). Echeverria’s photographs explore the relationship of visual, religious, and material culture in Mexico, considering in particular the power of the Guadalupe icon. Plenary sessions will include conversations with the artist and major national/international scholars. One conference session will be held in Spanish for the larger public.
Conference Sessions free and open to the public. Film screening for conference participants requires additional registration.
Additional information at: http://ideasandsociety.ucr.edu/conferences/objects-of-devotion-conference
Conference Sponsored by:
UC Humanities Research Institute; The College of Humantities, Arts and Social Sciences, UC Riverside; UC Mexus; The Center for Ideas and Society; Department of Ethnic Studies; Department of Latin American Studies; Tomas Rivera Chair, Tiffany Lopez.
Have questions about Objects of Devotion/ Objetos de Devoción Conference? Contact Jennifer Najera (Ethnic Studies, UC Riverside) and Jennifer Hughes (History, UC Riverside)